Needlework catalogs were printed in
abundance. General interest and fashion magazines printed separate catalogs,
as did design studios, fancywork suppliers, and needlework magazines. The catalogs
usually have color covers and black and white drawings of the patterns, stamped
linens, tools and supplies offered.
Today these old catalogs are primarily reference tools, but
every once in a while you'll find a complete chart or pattern printed in an old
catalog (like the one shown at right from an early 1900s German catalog). Quilt
catalogs are the exception -- they usually depict single quilt blocks and the simple
geometric lines make it easy to enlarge and use many of these antique patterns.
Expectations of the times
Knowing which category a publication falls into
gives you a better idea of the content to expect. But even if you narrow your search
to needlework magazines in hopes of finding period patterns, you may still be in for
a surprise.
Embroidery motifs, like sewing patterns, are
usually only available by mail order. A typical article shows the completed item
with several paragraphs describing the fabric, colors and stitches used. It may
include information about finishing the item (then again, it may not). Ordering
information is typically in the photo caption and options may include pricing for a
perforated pattern and/or a transfer pattern, stamped linen (often in a choice of
fabric or colors) and embroidery cottons and silks. Some items could be ordered
with the embroidery already started for an extra charge.

The odds of finding an original transfer matching a given design are very slim,
but the good news is that the photographs are often detailed enough that you can
recreate it. Try enlarging the photos with a copier or scanner, then tracing the
outlines on tissue paper. Or you may be able to get a very similar effect using
bits and pieces of motifs from other embroidery transfers you have on hand.
It also pays to keep an eye out for needlework magazines with color plates.
Cross stitch patterns are particularly easy to recreate from color photos and many
are suitable for needlepoint or purse beading as well. Other magazines use large
photos of embroidery designs that clearly show stitch length, placement and shading.
Our 1909 Brainerd & Armstrong magazine has not only clear color studies
like the partial example shown at right, but also line-drawn diagrams that can
be traced and transferred.
Crochet, knitting and tatting patterns are usually
provided in their entirety. However, keep in mind that the average reader was
expected to have a much higher skill level than we assume today. Consider these
General Directions for Filet Crochet from the October 1916 issue of Home Needlework
Magazine. The first two sentences read:
Filet crochet consists of blocks (bl) 4 t and spaces (sp) t on t, 2 ch, t on t. When
more than one bl appears, the number of t should be 3 times the number of bl, plus 1 t.
No doubt this makes perfect sense if you've done filet crochet projects, but
those of us who haven't got lost in the middle of the first sentence...
Thread or yarn types, stitch gauges and garment sizes
will also pose a challenge. The knitting instructions for the vest shown here are
perfectly understandable and the photo caption gives the required knitting needle sizes.
We also learn that the vest requires 4 skeins of Spanish yarn. But without a yarn weight,
stitch gauge, or even a given size for the completed vest when knitted as directed,
trying to do one becomes a process of trial and error.
With tatting and crochet projects, you'll probably find the correct thread and hook
size but stitch gauges and finished project sizes are rarely given. We did come across
one pattern for a crocheted nightgown yoke that included a stitch gauge. Unfortunately,
there are no instructions for attaching the finished yoke to the nightgown itself.
In short, these magazines do not have projects for
beginning stitchers. Like early sewing patterns, they assume the user is proficient
in basic techniques and comfortable with experimenting and adapting. It can be very
rewarding to create an item from a vintage magazine, but it may not be easy.
Originals versus Reproductions
It is definitely possible to buy originals of old needlework magazines, even those
dating back to the 19th century. Some are rarer than others and it may take a while
to locate a particular issue. For example, you may search and find 50 or more copies
of Modern Priscilla available for sale today -- but it may take a year before
you can locate an original May 1918 issue of Modern Priscilla. The first few
issues of any magazine are usually the most difficult to locate.
Your online search will also turn up numerous reproductions. These range from
untouched photocopies to high-resolution scans that have been enhanced to provide
a brighter background and remove stains, creases or other condition defects. A few
include modern "translations" of the original directions. They may be available as
stapled copies, as neatly bound printed pages, as professionally printed softcovers,
or as PDF files on a CD or for download.
Certain titles, like the 1920s Ribbon Art shown here, are both popular and
fairly easy to acquire. (Several originals come up for sale each year, Dover
Publications has reprinted it, and it is available on CD from several different
vendors.) So should you get an original or a reproduction?
There's no right answer, but here are a few of the pros and cons to consider.
Authenticity - If you're a serious collector,
having an original is a must. The feel and scent of old paper (no, not musty smells!),
the size of the booklet, turning the pages of a catalog that's 105 years old -- all
provide part of the joy of collecting. You know that each page is just as it
was published. Notes scribbled in the margins by a previous owner may add to the charm.
But if you think all that sounds silly, then by all means consider reproductions.
Availability - Some vintage and antique magazines are so
hard to find that a reproduction may be your only realistic opportunity to get one.
Concerned about copyright? Educate yourself about the basic rules and contact the seller if you
have specific questions about a particular publication.
Price and Future Value - Although you might not expect it,
reproductions of fairly common titles can be more expensive than originals (scanning and
digital enhancing takes a lot of time). Rare originals, of course, will be pricey, and
those with color plates tend to cost more, too. On the other hand, originals are more likely
than reproductions to increase in value and be salable in the future.
Ease of Use - - Reproductions definitely have their advantages --
you won't want to take the chance of spilling coffee on your 100 year old original and
you certainly won't want to fold it up and tuck it in your workbag. On the other hand,
you may find the PDF files used for many downloadable or CD reproductions slow or clumsy
to browse through or difficult to print. And you can always photocopy the pages from
your original that you need for a particular project.
Sharing/Resale - - An original antique magazine is
probably in the public
domain, allowing you to share copies with your stitching buddies or newsgroup -- or even
produce your own reproductions if you like. But if you buy a reproduction, it is very
likely to include a copyright claim or license that restricts your ability to share,
copy, or even resell the reproduction. Be sure you understand any restrictions before
you buy or download a reproduction.
Checking the Condition
The standard rule of collecting is to buy the best example
you can find and afford, and that holds just as true for vintage needlework publications as
anything else. If you're buying online, read the description carefully, look at the photos
even more carefully, and ask questions.
Naturally, a 100-year-old magazine is not going to have the same pristine look as a
just-released issue on sale at your favorite store. But the very best examples have all
their pages and inserts and show minimal wear and tear. Page fading or yellowing is light
and even. The covers are solidly attached and neither the cover or the pages are creased.
In the real world, most vintage magazines that have survived
show various battle scars -- like brittleness and chipping, water stains, foxing, musty smells,
creased, torn or loose pages or covers, writing, or torn-off address labels. The flaws may be
understandable, but you should be aware of them before you buy AND willing to live with them.
If not, wait for a better example to come along.
Needlework publications also have a few specific condition issues that come up from time
to time. Here are a few we always keep in mind:
Missing supplements - Some early magazines
originally came with pattern or illustration supplements. (Our March 1877 issue of
Young Ladies World refers to a "Gigantic Supplement" -- but who knows where or
when the two were separated?) Supplements are very rare and add a premium to
the price. If the description doesn't mention a supplement, don't assume it's there.
Cutouts - People have been clipping things from
magazines for as long as magazines have been published. The popularity of vintage ads,
fashion plates and colored embroidery plates for their art value leads to more magazines
being cut up every day. To make sure yours wasn't one of them:
ALWAYS turn every page of the magazine. Lay it flat on a table and take
your time. Not all sellers
bother to do this, and you can't be sure there aren't any cutouts (or other flaws) with a
quick flip through the pages.
Check the pages numbers as you turn them, especially if the binding is weak or you
find a loose page. Stapled publication have two pages printed on a single sheet of paper -- so
if one is ripped out, the other will be unattached, too. If both are gone, you may not realize it
until you notice that the page numbers skip (or an article doesn't make sense from one page to
the next).
Check for stubs of paper near the spine, which is a warning that the
page has been removed with a sharp blade. (Color plates often do not have page
numbers. The stub prevents the other half of the page from coming loose, which preserves
the magazine but makes removals harder to spot.) The publication's
index -- or the article text -- will tell you what plates are supposed to be there.
Water or moisture damage - Carefully check
any photos provided for those telltale stains and ripples that indicate water damage -- and
believe the photos rather than the written description. (Water damage is one of the
most frequently undisclosed flaws we've come across when buying vintage paper items.)
It may not prevent you from reading and enjoying the magazine, but it does affect the value.
If it matters, verify the dating. Not all
needlework publications are dated -- and some sellers are much better at dating vintage
publications than others. (One reproduction we saw for sale had three different
publication dates in the description.) So if you're looking for fashions or designs from
a particular year or decade, use caution with undated items. Ask the seller how he or she
arrived at the date given and be sure the answer makes sense.
If you find an undisclosed problem with a magazine you've
purchased, contact the seller immediately. Plan to review your "new" magazine the day it
arrives (no later than the day after) and don't delay reporting a problem. Everyone makes
mistakes and reputable sellers will make good on theirs -- but be reasonable about the timing.
Learning More
There's a lot of information about vintage and antique magazines posted at various web sites
that will help you learn more -- or just provide many pleasant hours of browsing. Here are
some of the online resources we've found particularly useful:
History - Hundreds of web sites focus or touch on the history
of magazine publishing. Narrow your search engine results a bit by entering the "Magazine Name"
(in quotes) and the word published. Don't miss Thread
Company-owned Magazines and other Printed Literature, one of the many excellent columns written
by Joan Kiplinger and posted at Fabrics.Net, as a great source for those publications. For general
interest womens magazines, try Magazine Art, where
you'll find beautiful scans of covers arranged in albums. Most albums also include a brief
historical summary for the publication.
Examples - Even if you have your heart set on an original,
it's often helpful to see an example of the magazine. The volunteer
Antique Pattern Library has scanned many
early works into (licensed) PDF files for download -- although in some cases, only the crochet
patterns have been scanned. For a detailed list of the contents and numerous page
scans from vintage magazines, check the inventory at
Lee Flang Archives.
Other links - We're not fond of long link lists, but if you
want a comprehensive list of links to sites about vintage magazines,
RASP (Research Society for
American Periodicals) is the place to start.
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